Littlewoods Heritage Project Exhibitio...

Littlewoods is being remembered through the eyes of its’ legions of workers in a unique showing organised by Liverpool John Moores University, at the Museum of Liverpool.

World-famous for its football gambling and retail business, the Liverpool company employed 30,000 at its peak, known as ‘Littlewoodies’, the majority women.

The displays, which run for three months, include vintage photographs, letters, coupons, promotional materials and memorabilia and has a strong focus on the social life of the factory and its legacy in the wider community.

Former employees will gather at the launch event on Thursday, 1 February 5.30-7.30pm and are happy to speak to the media.

“The stories of sisterhood and camaraderie created friendships which last to this very day,” said LJMU Littlewoods Project Director Dr Ruth Doughty, head of film studies at Liverpool John Moores University.

“The display has been inspired by interviews with scores of former employees and their own personal journeys with Littlewoods. It was a truly unique workplace which was more like an extended family, a huge asset for the city and a model for other companies.”

The showcase is being staged at the Museum of Liverpool at the Pier Head from February 1 to April 28.

https://www.liverpoolmuseums.org.uk/whatson/museum-of-liverpool/exhibition/littlewoods-heritage-project-display

https://www.littlewoodsheritageproject.co.uk

Joshua Clague: and it feels like I jus...

Joshua Clague’s and it feels like I just got home, echoes Madonna’s Ray of Light. Clague is interested in enduring memories of the female voice in his life. The exhibition often riffs on the pop-icons and divas that he once emulated. His work lays out how his sense of self changes at different times, in different places.

Clague has a longstanding connection with the Bluecoat. He has had a studio space at Bluecoat since March 2023 as part of the New Contemporaries Studio Bursary and has also used the gallery over the last few months as a space for making new work.

Joshua Clague is a visual artist. Originally from Merseyside, Clague recently graduated from Goldsmiths, University of London. Working with writing, installation, textiles, photography and performance, their work crystallises themes of love, memory, family, fandom and form.

Joshua Clague: and it feels like I just got home
Friday 9th February – Monday 1st April

Free entry.

https://www.thebluecoat.org.uk/whatson/joshua-clague-and-it-feels-like-i-just-got-home

Babak Ganjei: Thanks for Having Me

In his exhibition, Thanks for Having Me, Ganjei reflects on vignettes from his life and career as an artist. He has re-staged the market stalls that he began selling his work from; a means of sharing his work that Ganjei has outgrown, and yet can’t let go of.

The deferential title of his exhibition, Thanks for Having Me, reflects back on a life of operating on the margins and never quite being sure where he belongs.

Ganjei has a longstanding connection with the Bluecoat, having designed a commission for the building’s revamped Hub space back in 2021.

Babak Ganjei: Thanks for Having Me
Friday 9th February – Sunday 14th April

Free entry.

https://www.thebluecoat.org.uk/whatson/babak-ganjei-thanks-for-having-me

Ottman Said: Liverpool Waterfront

Bluecoat delighted to share a new outdoor billboard commission by Ottman Said. Said uses abstraction as a way to create beautifully complex landscapes that are rooted in a sense of belonging and place.

Ottman Said is a visual artist. He creates drawings, collages and sculptures, with his own distinct use of line. His recent works are inspired by Liverpool’s iconic waterfront, drawing them as abstracted blocks that seem to jostle for space amongst layers of interwoven line.

Said is a member of Blue Room, Bluecoat’s inclusive arts project for neurodiverse and learning disabled artists, and have been developing their practice in our supported studio project Studio Me. He has received a commission to create a limited edition screen print and postcard for Output’s postal exhibition Studio Me and You, and has recently collaborated with his mentor Bernadette O’Toole to develop his painting practice.

Studio Me: The Billboard Commissions will be featured on the side of Bluecoat’s building, located on Blundell Lane.

https://www.thebluecoat.org.uk/whatson/studio-me-the-billboard-commissions-ottman-said

Tess Gilmartin: Horse Big

Bluecoat are delighted to share a new outdoor billboard commission by Tess Gilmartin. Gilmartin’s expressive work features brightly coloured animals and plants, drawing upon her experience of spending time outdoors.

Tess Gilmartin is a Wirral based visual artist. Gilmartin creates drawings and paintings inspired by the world around her. Using bright colour palettes and gestural mark making, Gilmartin makes art to celebrate the things she loves, such as the people, animals and flowers.

Gilmartin is a member of Blue Room, Bluecoat’s inclusive arts project for neurodiverse and learning disabled artists, and have been developing their practice in our supported studio project Studio Me. Through this Gilmartin has received mentoring from acclaimed artist, Tanya Raabe Webber. Together, the artists explored different methods of drawing, mark making and painting.

Studio Me: The Billboard Commissions will be featured on the side of Bluecoat’s building, located on Blundell Lane.

Free entry.

https://www.thebluecoat.org.uk/whatson/studio-me-the-billboard-commissions-tess-gilmartin

Season Launch: The Lives of Artists

Join Bluecoat for the launch of The Lives of Artists, their new season of exhibitions, commissions, residencies, events and workshops. The Lives of Artists asks audiences what might be uncovered about ourselves when we listen to the testimony, histories, and stories of artists reflecting on their lives.

The evening will give visitors a first look at new exhibitions including Joshua Clague: and it feels like I just got home and Babak Ganjei: Thanks for Having Me.

The Lives of Artists will also see the launch of two new billboard commissions by Tess Gilmartin and Ottman Said. Both artists use abstraction as a way to create beautifully complex landscapes.

Season Launch: The Lives of Artists
Thursday 8th February, 6-9pm

Free entry.

https://www.thebluecoat.org.uk/whatson/season-launch-the-lives-of-artists

LOOK Climate Lab 2024

LOOK Climate Lab is a biennial programme exploring how photography can be a relevant and powerful medium for talking about climate change. They are transforming the gallery into a lab: bringing together researchers and artists to test their ideas and encouraging their audiences to discuss systematic changes needed for dealing with the climate crisis.

This year they’ll show projects working with the topics of rewilding and industrial heritage, growing food and regenerative farming, transport, pollution, and impacts of war. The events programme includes sustainable photography and eco-poetry workshops, artist talks, poetry readings and panel discussions. All the events are free. See all the events here: https://openeye.org.uk/whatson-category/events/

Gallery 3 will be turned into a cinema, showing Grow to Eat, Imagine Bamboo and The Balance Garden – short films about community growing, sustainable building and gardening to promote mental health.

Greg Hodge ‘A Look Back’

Liverpool based Photographer, Greg Hodge will be exhibiting some of his work in 92 Degrees Jamaica Street entitled ‘A Look Back’ from 01/02/24 until 29/02/24.

There will be a variety of work exhibited, taken over the course of 5 years, representing the artists focus on capturing ‘moments’ within everyday life with themes of nostalgia & time running throughout.

Event

There will be an opening night on 01/02/24 from 6:30pm until 9pm at the venue.

Craig Easton: Is Anybody Listening?

Touring exhibition Craig Easton: Is Anybody Listening? opens at Birkenhead’s Williamson Art Gallery & Museum on 26th January 2024. Commissioned by the University of Salford Art Collection and supported by The National Lottery Heritage Fund, the exhibition showcases two award-winning series of photographs, alongside an engagement programme for young people called Our Time, Our Place.

A long-time advocate for authentically representing communities in the North, Easton’s exhibition seeks to challenge stereotypes and raise aspirations of young people within the region.

Craig Easton: Is Anybody Listening?  has toured across four locations, Salford, Blackpool, Liverpool and Birkenhead. The engagement programme, Our Time, Our Place, which also includes Blackburn, has empowered young people to discuss current issues, explore their own history, and share it through pathways in photography and associated practices. Outcomes of this engagement work will be exhibited concurrently with Easton’s Bank Top and Thatcher’s Children

“Fundamentally, this project aims to instil pride and inspire communities to shed a new light on their heritage through photography,” says Lindsay Taylor, Curator at the University of Salford Art Collection.

“Craig Easton is one of our valued alumni and to have him onboard for this project is very exciting. Together we hope to empower marginalised voices to explore their own social history through a lens.”

Easton won Photographer of the Year (2021) at the Sony World Photography Awards with his series Bank Top, a collaboration with writer, poet and social researcher Abdul Aziz Hafiz, examining the representation and misrepresentation of northern communities. Commissioned by Blackburn Museum & Art Gallery, the work focused on a small, tight-knit community in Blackburn.

He also took second place in the documentary category for Thatcher’s Children, which explores the inter-generational nature of poverty and economic hardship as experienced by three generations of one family across the Northwest.

A passionate believer in working collaboratively with others, Easton also conceived and led the critically acclaimed SIXTEEN project with sixteen leading photographers exploring the hopes, ambitions and fears of sixteen-year-olds all around the UK.

He often tackles stereotypes and responds to the negative way in which the mainstream media can portray Northern communities. The relevance of Easton’s work has resurfaced in a new light as communities endure the cost-of-living crisis and face new challenges and segregation.

Craig Easton said: “I believe in the importance of committed documentary photography as a visual record of our social and cultural history. As such I’m excited to be part of the Our Time, Our Place programme to encourage and support young people across the region to find their own ways to express their concerns, examine our ever-changing society and explore our communities. I hope that between us all we can make work that will, for years to come, stand as an historical record of the challenges we face in 2020s Britain.”

In addition to the tour and engagement programme the funding from The National Lottery Heritage Fund will also enable key pieces of his work to enter the University of Salford Art Collection, as a permanent legacy of the project.

FIVE Exhibition of Painting

Kirkby Gallery is delighted to present FIVE, an exhibition showcasing the work of five unique and exciting fine art painters from across the Liverpool city region and Northwest of England.

The work will be on display from 22 January to 30 March 2024, featuring artists using different painting styles and techniques to explore their individual themes.

Alun Roberts is inspired by the effect of light on the subject and captures a unique mood in each of his paintings.

Tony O’Connell creates work exploring themes of grief or loss and combines modern and ancient images from art history, reimagining them anew.

Natalie Gilmore works with layers of acrylic to represent the shapes, colours and textures from focal areas within a larger landscape.

Paul Gatenby developed from urban sketching to painting forgotten corners of the city that are imbued with a sense of poetic tragedy. He also paints people, portraying the real personalities of his sitters.

Sophie Elsden creates a visual description of her surroundings and an expression of herself. Utilising the flexibility of paint to make emotional self-portraits, capturing particular moments.
Roger Owen will be exhibiting a selection of his oil and watercolour paintings in the Entrance Gallery, as a compliment to the main exhibition.

Alongside our Private View on January 18th, to celebrate Knowsley being 50 in 2024 there will be two free performances in Kirkby Town Centre at 4pm and again at 6.45pm, as led by Spark! drummers and Walk the Plank, who return to Knowsley with a dazzling performance and stage effects.