Celebrating Irish Makers

To celebrate Bluecoat Display Centre’s long-standing partnership with the Liverpool Irish Festival, alongside wood In the Window by Michael Murphy, they are delighted to be showcasing a group of Irish makers that have previously exhibited in our window exhibitions for the Festival, supported then by Design & Crafts Council of Ireland.

It is also an opportunity for them to highlight the work of their established Irish makers whom we regularly display in the gallery.

In addition, they have chosen a selection of emerging and established Northern Irish makers from the ‘Reaction’ exhibition at the Craft NI Gallery in Belfast. The event is a highlight of the much anticipated month-long celebration of craft which takes place across the island of Ireland in August, an exhibition that seeks to celebrate and profile excellence in the NI craft sector.

Makers include:

Jewellery by Alan Ardiff, Berina Kelly, Maureen Lynch, Caitlin Murphy & Celine Traynor

Ceramics by Mike Byrne, Adam Frew, Christy Keeney & Corinne Price

Glass by Scott Benefield

Wood by Kathleen Walsh

Mixed Media by Sarah Cathers

Woven textile vessels by Joanne Lamb

Paintings by Clement McAleer

Join them for a special opening event on Thursday 10 October 2024, from 5.30pm – 7pm. Refreshments will be served and Friends of the Bdc will receive a 10% discount on all purchases during the evening.

Art Sale

Over the years artist Sarah, from The Curios Mind, has built up a lot of work.

These artworks will be shown and sold at affordable prices at Elevator Studios Gallery Space, from Sunday 15th – Sunday 22nd September, with a proportion of proceeds going to Barnardo’s Charity. There will be a launch on Sunday 15th, with a raffle for a hamper of goodies including prints from the artist, and also an appearance from Into Nature who will also be selling some wonderful plants in Kokedama pots.

This is also an opportunity for people to own their own original art, or find something as a gift or home decoration.

The gallery space is next door to Arts Bar Baltic so if you’re in the area why not just pop down and say hello and relax for a while. The gallery space is free to enter and peruse. During the week there will be other opportunities to meet the artist and the space will be open from 10am daily until late.

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Please follow @thecuriosmind on Instagram for more information.

A LUSH Liverpool Takeover with Blue Ro...

Blue Room is the Bluecoat’s inclusive arts project supporting learning disabled and neurodivergent artists to make and share work with audiences. Their takeover event celebrates two new festive gift design commissions with LUSH. Past collaborations with the ethical cosmetics company have brought the work of Blue Room artists to a global audience.

Sun 29 Sep, 11am – 4pm

From Sat 28 – Sun 29 September, the Lush store will share a window exhibition by Tess Gilmartin who uses bright colours and expressive marks to create joyful paintings inspired by nature. Gilmartin’s large scale mixed media piece Horse Big is the featured artwork for this year’s Lush advent calendar box.

On Sun 29 September, head to the store’s first floor to discover artworks created by Blue Room artists hidden amongst the sensory delights of Lush products. Inspired by Kayleigh Murray’s Gingerbread Party design for a knot wrap and gift box, a mischievous troupe of gingerbread characters will form a sculpture trail around the shop floor.

Visit drop-in creative workshops led by our artists and allies from Project Collective exploring topics such as celebrating diversity and the importance of making information accessible. You can also support our artists by picking up a print from our pop-up merchandise stall.

This event is part of Liverpool’s Neurodiversity Arts Festival with the Brain Charity. NDAF 24 is a vibrant celebration of neurodivergent talent, diverse perspectives and creative expression, dedicated to celebrating neurodiversity and providing a platform for neurodivergent artists.

“RUsSeT” – Southport...

“RUsSeT” – ArtHouse embraces Autumn

Although Autumn in Southport is guaranteed to bring cooler temperatures, it will also be welcoming a hot list of regional artistic talent to the town as the ArtHouse in Eastbank Street throws open its doors for its much anticipated, annual Autumn Open exhibition.

Showcasing a truly diverse cross section of practitioners, the Southport Contemporary Arts Autumn Open always champions the diversity and vitality of the local art scene in a cornucopia of both classically inspired and contemporary artworks.

Because the Autumn Exhibition is an ‘Open’ and is not restricted to entries by SCA members, it continually proves a valuable platform for local amateur artists and makers in the wider creative community to exhibit, together with SCA stalwarts, in a joint celebration of their craft and expertise.

Making art more accessible to all, there is always a wealth of skills on display as all the featured artists are keen to show off their latest creations, guaranteeing a variety of artwork to appeal to the most discerning visitor.

Director of SCA, Norrie Beswick-Calvert confirms: “as well as regular exhibitors and SCA Members, there’ll be a few SCA students taking part plus new to us artists, so it’s always a real mixed bag of genre and creative style.”

Taking inspiration from the profusion and diversity of warm, earthy seasonal shades, the distinguishing theme for this year’s Autumn exhibition is ‘RUsSeT’ which Norrie interprets as “not only celebrating the beauty of the Autumn colour palette but also celebrating the beauty in aging of all things”.

Norrie’s own submissions have their origins from her student days: “I’ve always and forever been inspired by the old and overgrown- indeed my GCE Artwork was based on a broken down and overgrown Southport Station (no longer there). As things age they become a different sort of beautiful; the colour and texture changes and to my eye, often for the better. I work in all sorts of media depending on what has caught my attention but the common factor always seems to be colour and texture. The inspiration for my exhibited artwork came from a visit to a car yard where old and beautiful cars are either restored or scrapped and as I wandered around the site the things that caught my eye were the discarded bits and bobs lying around. The 2 found items making up “Junk Weave” required something delicate to accompany them. Using both as a frame for a small weave seemed to fit the bill.”

Similarly attracted to recycling the ephemera of everyday life, mixed-media artist Suzanna Gregg’s ‘Warm-Hearted’, is a further example of her sensitive rearrangements of found materials incorporating imagery scavenged from a wide variety of sources: “As part of a project for World Collage Day 2024 I made a mini-series of mixed media hearts in specific colours. It was a pleasure to experiment with colour, materials and processes to discover interesting and exciting combinations for each piece. My exhibited orange heart includes repurposed wallpaper, kitchen paper (used to soak up excess paint on another project), painted paper, pen and a touch of gold leaf. The aim was to create a sense of warmth using a good variety of different shades of orange.”

Liverpool born artist, Pam Thomas, discovered her love of ceramics during her Foundation Course at Mid-Cheshire College and went on to successfully gain a B.Des Degree in ceramics and textiles from Liverpool Hope University in 2000. Her latest experiments combining clay with found materials reflects her commitment to using her boundless creativity as a means of encouraging a positive change in the world: “I am still dreaming, making and hoping my artwork will make a difference to how people care for ‘Our Fragile World’. ‘Fish’ is the final fragment from a mixed-media series I constructed using metal, glass and clay showing the way marine life are trapped by the pollution in the seas.”

Having moved to Lancashire 2 years ago, painter, Marion Bayliss, is still finding artistic stimulation from her fond recollections of life back in Somerset. Her reflective oil painting, ‘The Lonely Tree’, captures the scene of a solitary tree that sits alone at a famous beauty spot in the Quantock Hills. “This was an experimental piece for me, playing with cubism. I was intrigued by cubism and the forms that could be created, so I wanted to create an image that had solid shapes but adding shading or textures to represent the different elements such as the ferns and purple heather. I chose the contrasting orange of the ferns to give it balance with the streak of orange in the background. It also brings in the feeling that Autumn frosts are approaching.”

Founding member of SCA, Claire Curran relocated from London to Birkdale in 2006 where she taught at Farnborough Road Junior School for 18 years: “Painting and ceramics have been my consistent passion, but my art has taken many forms over the years. I have never really liked to be pigeonholed in any one area because different mediums allow me to pursue my creativity in exciting ways.”

‘Knitting it all Together’ is a contemplative portrait of SCA Director, Anne Burman: “I have always wanted to paint Anne because she exudes a quiet wisdom. This portrait was inspired by a moment shared with friends in her kitchen. The light fell across her in an interesting way and her expression showed a considered response. She was ‘knitting all the facts together’.”

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Norrie concludes: “We are hoping that visitors will feel uplifted and intrigued from their visit to the Gallery and that the artists taking part, will feel the positive impact of that creative connectivity, that is such an important part of what SCA sets out to achieve.”

Tomo – Frutopia

Come one, come all. It’s FRUTOPIA!

Cult Liverpool street artist Tomo brings his latest extravaganza exhibition of artwork to the Future Walls, running from 14th September to 15th October. The mysterious artist works in print and illustration, and his works adorn many of the walls around Liverpool city centre – what’s still left, anyway.

“Why don’t you draw something nice?”

“What, like a bowl of fruit?”

Join Future Yard for some special happenings on the opening night of Friday 13th September. Free entry.

Tess Gilmartin: Flowers in the Window

Stop by the LUSH Liverpool store to see the joyful work of Blue Room artist Tess Gilmartin.

Sat 28 Sep – Sun 29 Sep at LUSH Liverpool

Gilmartin’s large scale mixed media piece Horse Big is the featured artwork for this year’s Lush advent calendar box. Earlier this year, the piece was shared as a billboard commission on the exterior of the Bluecoat building as part of the The Lives of Artists Season.

Gilmartin has been developing her creative practice as part of Studio Me, our supported studio project from Blue Room, the Bluecoat’s inclusive arts project supporting learning disabled and neurodivergent artists to make and share work with audiences.

On Sunday 28 September, Gilmartin and her peers in Blue Room will celebrate the collaboration with LUSH, with a store takeover celebration event.

This exhibition is part of Liverpool’s Neurodiversity Arts Festival with the Brain Charity. NDAF 24 is a vibrant celebration of neurodivergent talent, diverse perspectives and creative expression, dedicated to celebrating neurodiversity and providing a platform for neurodivergent artists.

The Flowers Still Grow

The Flowers Still Grow brings together a series of projects that showcase long-term collaborations between photographers, creative writers, and local communities in Anfield and Garston. Each project celebrates the people who make up these communities whilst reflecting their concerns, experiences, and aspirations of the society around them.

People of Anfield and Childhood is a garden, co-created with communities in Anfield and Garston, are the result of two year creative residencies commissioned by Open Eye Gallery and Culture Liverpool. The show also includes Next Up…, our annual graduate showcase of work from the MA in Socially Engaged Photography course at the University of Salford, and Social Lens: Celebrating Creative Collaborations (exterior walls), a celebration of the collaborative projects we have produced over the past 8 years.

We live in uncertain times around the world today, and the exhibition represents how multiple voices have explored these concerns within their own local context. Some projects focus on the inevitability and concerns of redevelopment of suburban landscapes, and the impact of issues like austerity and the Covid pandemic have had on people living and working here in the UK. Others focus on the need for more opportunities and spaces for communities to come together to tackle issues of loneliness, poor mental health and something we all deserve: the right to be creative and play.

Sophie Mahon, Open Eye Gallery’s Joint Head of Social Practice, said: Creative residencies in Anfield and Garston have enabled us to work closely and collaboratively with communities to showcase often sidelined voices of children, of local people and of broader social issues that impact Liverpool’s communities.

Our long term community based residencies have enabled us to support people in sharing their own experiences about the areas they live in, providing a platform for untold stories, moments of celebration and space for concerns to be voiced. We are honoured to showcase works both at the gallery and locally in communities, using photography and writing to creatively and collaboratively tell stories of our communities across Liverpool.

People of Anfield

The People of Anfield is an artistic project engaging local people of all backgrounds and ages to share conversations and ideas about the Anfield area – past, present and future. The project has been developed and delivered by photographer Emma Case and writer Pauline Rowe through photography, writing and discussion.

Anfield is a unique city-edge place that is transformed when visited by the world because of football or musical celebrity. At other times, most of the time, the people here long for a thriving high street and a beautiful environment, facilities that communities can be proud of, green spaces to be enjoyed, creative expression and safe streets.

After many decades of decline and neglect, Anfield was further hit by Brexit, the pandemic and the cost-of-living crisis. But in this urban, broken landscape, between the cracks in the bricks and on stagnant pieces of unused land, flowers still grow. The flowers, like the people of Anfield, grow despite their surroundings.

There are two stories to be told. The story of a place in which the local environment and economy are in decline and living can feel precarious. And the story of a local community that brings life, vibrancy and connection to where they live.

Every face in this exhibition represents a unique story. The community grows in strength and is collectively determined just like the wildflowers that also make this place their home.

Like the flowers, the people are what make Anfield beautiful.

Emma Case, Open Eye Gallery’s photographer in residence, said: It has been such a wonderful time working on this residency over the past year and a half. We’ve connected in many creative ways with lots of different people and witnessed both the community’s frustrations and its constant hard work and dedication to bring people together and to support one another. I hope that this exhibition gives people a real glimpse of that and celebrates the community that we feel honoured to have gotten to know.”

Childhood is a garden

Miriam Flüchter is a socially engaged artist who has been working with communities in Garston through a two-year artist residency. Childhood is a Garden offers a multi-dimensional view of Garston, aiming to paint a picture of the area that looks beyond the here and now, into the past and future, questioning what we have lost and what we wish for.

Throughout the residency, Miriam has worked closely with grown-up residents to explore what growing up in Garston was like for them and local children and young people living in the area now to examine the ingredients of an ideal neighbourhood through the lens of nostalgia, memory and dreams.

Miriam has worked with Children at Garston Adventure Play, a long-standing youth provision that started out as a community-led summer playscheme in 1976, as well as with local schools and community groups. Together, they have explored storytelling through experimental analogue photography and textile crafts to create a playful & joyful family-friendly exhibition co-curated by children in Garston.

Miriam Flüchter, Open Eye Gallery’s photographer-in-residence, said: “Working with Garston residents from the ages of 3 to 95 has allowed me to gain a comprehensive understanding of the history of this neighbourhood and its people. What has resonated most with me throughout is the deep love and connection people in Garston feel to their home and community and I am hoping this exhibition will reflect this love. The warm welcome I have received as an outsider in this community is a good example of the warmth that exists between residents, that I haven’t found words for, but hope my images will do it justice. The exhibition is largely curated by children between the ages of 3 and 11 for children, and children and grown-ups alike are very much invited to join in and add to it.”

Next Up…

Next Up… is our annual graduate showcase of work from the MA in Socially Engaged Photography course at the University of Salford. Open Eye Gallery has been jointly running this unique postgraduate course since 2018, and the programme supports students to explore the power of photography when working with real communities to co-author meaningful culture. The exhibition features work by three early career photographers from our 2023 graduates.

Rachel Beeson presents her on-going project Picturing The Strikes – a UK wide exploration of working communities in Britain. The work brings together a series of beautiful portraits, images from the strikes themselves and personal stories from each of the participants involved.

David Contreras worked collaboratively on a project called Our Streets, Our Stories with a local photography group, Clickmoor, to explore the act of undertaking street photography together as a tool for wellbeing. Clickmoor developed as an independent photo collective, off the back of a previous Open Eye Gallery commission with local community initiative My Clubmoor and artists Emma Case and Katherine Monaghan. We are delighted to welcome the group back with David to present in the gallery with us.

Cyril Matthew presents a photo series from his previous project Loneliness, which explores the personal stories of individuals experiencing isolation after migrating to the UK and spaces they have found themselves visiting in their new country for moments of contemplation and wellbeing.

Social Lens: Celebrating Creative Collaborations (Exterior Wall, 12 September – 4 October)

Exterior wall will present a celebration of the collaborative projects we have produced over the past 8 years. We have co-commissioned projects with partners across the health, cultural, environmental, charity, youth and social justice sectors, to name but a few, believing working in partnership with other sectors brings a strength in building knowledge and understanding.

The works on display feature projects with NHS Merseycare foundation trust, Wirral Change, Sefton council and youth service, The Life Rooms, Royal Horticultural Society and projects from our Open Eye Hub Wigan and Leigh programme. Collectively they represent what can happen when the expertise of photographers come together with the expertise of people and their lived experiences to tell powerful stories.

Cathedral Late

Explore Monadic Singularity after hours.

Get up close and personal with the artworks without the crowds. With strictly limited numbers, experience this extraordinary convergence of art and spirituality in a UK cathedral for the first time.

Take in the view from the Dulverton Bridge, immerse yourself in the atmosphere and pick up your free exhibition guide!

This exhibition is made possible by the generous support of Culture Liverpool and the Liverpool BID Company, as well as our partners Lisson Gallery and Boodles. Hospitality is provided in partnership with Novotel Paddington Village and Hope Street Hotel. With additional thanks to the Granada Foundation and all their supporters who wish to remain anonymous.

Art, Science and Creativity – Bo...

The exhibition is inspired by various statements by Albert Einstein, highlighting the fact that creativity is central to explorations in both art and science.

And as we wonder, and attempt to understand the universe and ourselves, categories can, and perhaps should, become blurred. Distinctions can be both valuable and problematic: ‘art’ versus ‘science’, ‘nature’ versus ‘human’, ‘natural’ versus ‘supernatural’, ‘material’ versus ‘spiritual’, ‘secular’ versus ‘religious’ and so on.

Thirty artists have been selected to participate. The majority are UK-based, with family and cultural roots embracing Poland, Spain, Romania, Russia, Finland and the USA. There will be nearly 40 works in the show, including newly-created works responding to the exhibition theme, and existing relevant works.

The artists use an enormous range of approaches and techniques, including various types of printmaking, handmade paper, clay, latex, laser cuts and collage, as well as various bookbinding and stitching techniques.

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Liverpool Book Art and Fevered Imagination are collaborating to create a video loop of all the artworks, enabling audiences to get a fuller appreciation of the artists’ creativity than allowed by the use only of display cases. Fevered Imagination is a website dedicated to Artists Books, through which works from the exhibition can be bought.

Faded Glory: a new aesthetic

‘Faded Glory: a new aesthetic’ Joint Show by Rory Turner & Brenda Reeve-Turner

Whether in the no-nonsense documentary realism of Rory’s stark black-and-white photography or the idiosyncrasy of Brenda’s heavily glazed ceramics, the current joint exhibition at the ArtHouse in Southport by Rory Turner and Brenda Reeve-Turner is a fascinating pulse-check on contemporary practice by two local artists.

Both former senior academics at the University of Central Lancashire, retirement has offered them the opportunity to refocus on their own unfilled practice rather than promoting that of others.

A lifelong passionate photographer, Rory, has always been attracted to exploiting the medium as a vehicle for archiving what is too often taken for granted.

“As a freelance photographer working in the Lake District and The Yorkshire Dales I realised that the traditional tourist postcard did not show the stunning beauty of these wild spaces and I was one of the first photographers to capture the Lakes and Dales in all their many different and spectacular moods”.

Prior to his appointment at UCLan, Rory’s entrepreneurial nature had already seen him swing into action to address the commercial drawback at source.

“I founded my own Fine Art postcard company ’Country Visions’ in the 1980’s selling over 1 million Fine Art postcards of both the Lakes and Yorkshire Dales. The postcards were sold through the English Lakes Tourist Boards, The National Trust, Fine Art Galleries and various other retail outlets”.

The success of the venture quickly secured global appeal: “I was originally sponsored by both Leica and Bronica Camera systems which lead to solo exhibitions all over the world, including London, Canada and Germany”.

In a world too often saturated with colourful imagery, Rory’s atmospheric black-and-white cameraworkharks back to an era when photography was an alchemy of light and silver: “I use a Canon 70D digital Camera with a 24-105 f/4L IS USM lens. This is a specialist lens that gives extra high definition results”.

A poignant reminder of the enduring power of simplicity, through his emotive monochromatic photographs currently on display at ArtHouse, Rory showcases the celebrated Victorian wrought-iron architecture of Southport as silhouetted urban vegetation brimming with a nuance that skillfully emphasizes the form, texture and interplay between shadow and light.

“’Faded Glory’ continues on from a project that I started whilst working on my MA seeking to visually examine the decline in our coastal resorts since the heydays of the late Victorian era through to the 1950’s-60’s. The view presented by our holiday resorts is vastly different now than it was in the past”.

By artfully avoiding the distraction of fun-loving holidaymakers, the intrusive ‘Kiss-Me-Quick’ culture of the British seaside has been replaced in Rory’s photographs by a nostalgic visual grunge aesthetic that freeze-frames the timeless elegance of an unpopulated coastline resonating with the authority of its own a silent eloquence.

In contrast, Brenda – a graduate of the prestigious Royal College of Art in London – draws upon her subsequent career in fashion to drape wet clay like fabric in order to articulate the natural undulations of seashells in her flamboyant ceramic souvenirs: “My current ceramic work looks closely at tourist ephemera and the objects and experiences that make seaside holidays so special. These objects and impressions remain with us throughout our lives and are as equally an important and treasured part of the tourist experience as the tourist gaze”.

Brenda regularly attends Southport Contemporary Art’s pottery workshops – ClayWorks – where working in clay provides her with a playground for unlimited artistic expression.

“Finding ClayWorks was just perfect, giving me the chance to develop my 3D embroidery and illustration skills in a new medium. The sessions provide excellent technical staff with professional practitioners. This experience enabled me to meet some lovely new people in my retirement. That’s a bonus isn’t it?”

Certainly not one to be missed, this collaborative display by Rory Turner & Brenda Reeve-Turner will be on show at the ArtHouse, Eastbank Street, Southport from 17th September – 5th October 2024.  The gallery is open Tuesday – Friday 10.00-15.00.  Saturday 11.00-16.00.